Sanu John Varughese

Sanu John Varughese, a name that pops up a lot if you’re into Indian cinema that actually looks stunning—yeah, that guy. Born in Kottayam, Kerala, he’s quietly become this powerhouse behind the camera, working magic in films that have really made some noise. He’s not just a cinematographer for hire; his style is all about making you feel something, not just see it. Like, you ever watch Jersey (2019)? It’s not just about cricket or redemption; it’s the way every frame is soaked in nostalgia and grit. Sanu’s lens makes you smell the sweat and dust, pulls you right into the story. And then there’s Badhaai Ho (2018), which could’ve easily been another “quirky family drama,” but nope—he gives it this warmth and lived-in vibe that totally gets what it’s like to be awkwardly stuck between generations. Every shot feels like it’s eavesdropping on the characters, but in a good way. Oh, and Vishwaroopam (2013)? That one’s a whole other beast. Sanu takes these gritty, high-stakes scenes and turns them into something cinematic without losing the raw edge. Action, drama, espionage—he juggles them all, and somehow it never feels overcooked or fake. There’s a reason directors keep coming back to him. Basically, Sanu John Varughese isn’t just a dude with a camera—he’s shaping how modern Indian movies look and feel, one gorgeous shot at a time.