Sarah Hong

Sarah Hong’s got a filmography that’s kinda all over the map, but in a good way—like, she’s not just sticking to one vibe. In The Crow (2024), she dives into this shadowy world where vengeance pretty much drips from every scene. The whole thing’s got this gritty atmosphere, and Sarah’s role? She doesn’t just fade into the background. She brings this edge, like she’s always two steps ahead, and you can’t really pin her down. If you’re into that whole dark-revenge-mythos thing, her part is honestly a standout. Jump back a few years to The Circle (2017) and you’ll catch her in this wild ride through the tech-dystopia genre. The film pokes at all our paranoia about privacy and social media run amok. Sarah plays off the tension in those boardroom scenes, giving you that sense of unease—maybe she knows more than she’s letting on, maybe she’s just as lost as the rest of us. Either way, you notice her. Then there’s Destroyer (2018), which is a whole different beast. The movie’s a gritty crime drama, and Sarah’s there, weaving into this mess of complicated relationships and bad decisions. She brings a raw, real energy—like, you can almost feel the weight of her character’s history just by the way she carries herself. So yeah, Sarah Hong’s got range. She doesn’t just stick to one lane. Whether she’s in the middle of chaos or lurking in the background, she’s got this vibe that pulls you in. Not many can pull that off.