Sarah Kaminsky

Sarah Kaminsky, now there’s a name you don’t forget if you’re into movies that actually make you feel something. You might’ve seen her in “Raid dingue” back in 2016—yeah, that crazy French cop comedy where nothing goes as planned and everyone’s running around trying to outsmart each other. She played it sharp, with this kinda dry wit that just stuck with you. Fast forward a few years, and she’s suddenly in “Farewell, Mr. Haffmann” (2021), flipping gears completely. That one’s not your typical WWII drama—imagine Paris under Nazi occupation, everyone walking on eggshells, and Kaminsky giving a performance that’s as tense as a ticking bomb. She’s got this way of showing fear and defiance all at once, like she’s holding a secret the world isn’t ready to hear. Then, bam, she’s in “How to Make a Killing” (2024), which—let’s be real—is a total switch-up. It’s gritty, dark, and more than a little cynical, but Kaminsky? She dives right in, playing a character who’s juggling ambition and morality like it’s a circus act. There’s something raw and real about her roles; she never feels like she’s just reading lines. Whether she’s chasing down criminals, surviving wartime Paris, or scheming her way through the latest thriller, you can’t help but watch her and think, “Yeah, she’s the real deal.” Kaminsky just brings that punch of authenticity you don’t see every day.