Sarah McCormack

Sarah McCormack’s filmography lately is honestly wild—she’s popping up everywhere, and yeah, people are finally starting to notice. Let’s talk about "Drop" (2025). This flick? It’s a gritty, no-nonsense drama that slaps you in the face with its realism. Sarah dives into a character who’s basically hanging by a thread, living in some washed-out city where everyone’s got secrets and nobody’s talking. She’s hustling, scraping by, dodging trouble at every corner, and just when you think things can’t get messier, they do. There’s this constant tension, like, you never really know if she’s gonna make it out or just get swallowed whole by the mess she’s in. Now, "The Big Pygmy" (2024)—totally different vibe. This one’s more of a quirky, offbeat adventure. Sarah plays it with this raw, unfiltered energy, and you can tell she’s having fun. The story bounces around, full of bizarre encounters and weird, lovable characters, and Sarah’s right in the thick of it, just rolling with whatever insanity comes her way. Honestly, it’s got this weird charm that sneaks up on you. And then there’s "The Blondey Way" (2024). This one’s stylish, almost hypnotic. It’s all neon lights, late nights, and Sarah giving you that cool, enigmatic stare. There’s drama, sure, but it’s quieter—like everything’s simmering just under the surface. You watch her and you just know there’s more going on than she’s letting on. If you’re not paying attention to Sarah McCormack yet, you probably should be. The woman’s on a roll.