Sarah Young

Sarah Young’s name might not ring out on the street, but if you’ve watched any solid modern drama, there’s a good shot you’ve seen her work, even if you didn’t realize it. Take The Ides of March, for example—yeah, the one with all the political scheming and Ryan Gosling looking perpetually stressed. Sarah was right there, making it all tick behind the scenes. Fast forward a few years, she shows up in Carol, which, let’s be honest, is basically a masterclass in longing glances and forbidden romance. Sarah’s touch is subtle but kind of essential in that one, giving the film this lush, dreamy vibe that just pulls you in. Then there's Dark Waters, a whole different beast. The movie’s about corporate greed poisoning a small town, heavy stuff. The atmosphere is tense, almost suffocating. Sarah’s work on this one? It adds this kind of gritty realism that makes you believe every single drop of water is loaded with secrets. She’s not flashy, but man, she’s reliable. Everything she’s involved in just feels a little more grounded, a little more lived-in. That’s not easy to pull off. Honestly, her career so far reads like a highlight reel of movies that actually stick with you after the credits roll. She’s not out here chasing the spotlight, but she’s absolutely shaping the mood of some of the best dramas in recent years. Not bad for someone most people wouldn’t recognize if she walked right past them at the grocery store.