Sarmad Varraich

Sarmad Varraich’s filmography is kind of all over the place, in the best way possible. You’ve got Taish (2020), which is this raw, gritty drama—emotions running wild, revenge, broken friendships, all that messy stuff people can’t seem to let go of. Varraich doesn’t really play it safe, either. His projects tend to go for the gut punch, and honestly, that’s what keeps people watching. Then there’s L2: Empuraan (2025) hanging out on the horizon, and people are buzzing about it already. It’s supposed to be a sequel, but there’s this shroud of mystery over plot details. Fans are losing their minds with theories—crime, power games, probably a few clever twists because, well, that’s kind of Varraich’s thing. And then, total curveball: Almost Pyaar with DJ Mohabbat (2022). This one is a genre flip—romance, but with an edge. It’s not your average love story; it messes with timelines and expectations, and you’ll find yourself rooting for characters who are a total mess (but, like, in a relatable way). The film’s got this modern vibe, blending music and heartbreak and, honestly, a bunch of awkward, real moments that hit home. That’s the thread running through Varraich’s work—he doesn’t sugarcoat, he leans into the chaos, and the stories stick with you. Whether it’s dark drama or offbeat romance, he brings something real and unpredictable to the table.