Savanah Joeckel

Savanah Joeckel’s got this edge to her, the kind of energy that sticks with you after the credits roll. She’s been popping up in some pretty wild stuff lately. Take Flight Risk (2025), for example—she’s tangled up in this high-stakes chaos where nothing is as it seems, and honestly, you’re never quite sure who’s pulling the strings. There’s this constant tension, like everyone’s about to snap, and Joeckel just nails that jittery, unpredictable vibe. It’s the sort of role that could get lost in melodrama, but she keeps it raw, a little messy, and totally believable. Then she’s in Shellfish (2022), which, man, is a trip on its own. It’s quirky, offbeat, and sometimes just straight-up bizarre. Joeckel slides into this universe like she was born for it—awkward family dinners, weird little existential crises, and all. She brings this dry humor that cuts through the weirdness like a knife. You’re laughing, then suddenly you realize she’s hitting you with something real under all the nonsense. Deadpan (2022) flips the script again, because the tone here is way colder. It’s understated, but Joeckel’s got this knack for making you care even when her character barely says a word. It’s all in the eyes, the little gestures. She’s not just phoning it in—she’s dragging you into her world, whether you like it or not. All in all, she’s making some bold choices, and honestly, it’s fun to watch her shake things up.