Shelley Farthing-Dawe

Shelley Farthing-Dawe’s filmography is kinda wild, honestly. You’ve got “Boy Swallows Universe” (2024), which just punches you right in the gut with this weird blend of hope and heartbreak. The movie throws you into suburban Brisbane in the ’80s, where Eli Bell’s growing up way too fast. He’s got a mute brother, a messed-up family, and a whole lot more going on than any kid should have to handle. Shelley’s visuals? Man, they really crank up the tension—everything’s gritty, the colors are lush, and you can basically taste the Queensland heat. It’s not just nostalgia, it’s raw, messy, and kinda beautiful. Then there’s “Dangerous Animals” (2025), and, phew, buckle up for that one. It’s not your average creature flick—it’s more of a thriller, but with teeth (literally and metaphorically). Shelley dives into environmental horror with a vengeance, blending a gnarly survival story with some deep commentary about what happens when humans totally mess with nature. The pacing’s relentless, the creatures are freaky as hell, and you can tell the director isn’t afraid to get a little weird with the camera. It’s tense. You might find yourself gripping the armrest without realizing. And don’t sleep on “In Vitro” (2024), because this one’s got brains and heart. Shelley crafts a near-future where science and ethics collide—think genetic engineering, but also family drama. The cast really sells it, but it’s the direction that pulls you in. You get that sense of unease, like you’re always one step away from something going horribly wrong. Shelley Farthing-Dawe just keeps proving they know how to shake things up.