Siobhan Boyes

Siobhan Boyes, yeah, that’s a name you might’ve glossed over in the credits, but she’s been popping up in some seriously buzzy stuff lately. Think back to Aladdin (2019) – you know, the live-action one with Will Smith trying his hardest not to get memed into oblivion as the Genie. Siobhan was part of that whirlwind, tucked somewhere between the musical numbers and CGI magic carpets. The Gentlemen (2019) though, that’s where the energy shifts; Guy Ritchie’s back doing the whole British gangster schtick, with everyone double-crossing everyone else and just enough chaos to keep you on your toes. Siobhan’s got a role in there too, threading her way through that maze of slick dialogue and even slicker suits. And then there’s Conclave (2024), a project with a lot of buzz – hush-hush Vatican secrets, power plays, and a cast stacked enough to make you do a double-take. Siobhan’s in the thick of it, navigating all the intrigue and tension, adding those little moments that stick in your head after the credits roll. She’s one of those actors who doesn’t always grab headlines but has this knack for showing up where it counts. You start to notice her face, her timing, the way she fits into these different worlds so naturally. If you’re the type who actually watches the credits (or just likes to brag about spotting up-and-comers before everyone else does), Siobhan Boyes is a name you’ll want to keep in your back pocket.