Stanislaw Linowski

Stanislaw Linowski—yeah, born back in ’96 in Poland, and honestly, the guy’s been making some interesting choices ever since. You’ve probably seen him in “Pod powierzchnia” from 2018, where things get messy and tense beneath the surface (pun intended, sue me). He’s not your typical leading man—he’s got this vibe, like he’s always thinking three steps ahead, even when the script’s throwing curveballs. Skip to 2020, he pops up in “Kazdy ma swoje lato.” Translation: “Everyone Has Their Summer.” Sounds all sunny and innocent, right? Nope. It’s a film that digs into that weird, bittersweet feeling you get when you realize summer’s not just about ice cream and lazy afternoons. Linowski plays with that nostalgia and awkwardness, making you want to call up your old friends just to check in. There’s something raw and honestly kinda gutsy about how he tackles the messiness of family and growing up. Now, fast forward to 2024 and “Familier som vores.” This one’s a bit of a curveball—it’s Danish, not Polish, but Linowski just slides right in. The film’s all about what it means to belong, dealing with family drama and those unspoken tensions that everyone pretends don’t exist. He doesn’t just act—he sort of disappears into these roles. You almost forget you’re watching the same guy each time, which is wild. All in all, Linowski’s got range, heart, and a knack for picking projects that hit you right in the feels. Keep an eye on him—he’s not done surprising us yet.