Subhash Chandra

Sister Midnight (2024) throws you right into the messy heart of Mumbai’s nightlife, where nothing is quite what it seems and everyone’s got secrets tucked up their sleeves. The story kicks off with Tara, a DJ who’s got more problems than just getting the crowd to dance. She’s hustling hard, barely scraping by, spinning tracks at a dingy club that’s seen better days. But then—bam—her estranged sister, Maya, crashes back into her life after years off the grid, looking for a place to hide and dragging a storm of trouble behind her. Turns out Maya’s mixed up with some seriously shady folks—a crime syndicate that doesn’t mess around. Tara’s not exactly thrilled, but blood’s blood, right? The sisters get swept up in a wild chase through neon-lit alleys and underground raves, dodging crooked cops, old flames, and a mysterious fixer who seems to know way too much. Somewhere in all the chaos, they start piecing together why Maya ran in the first place, and the secrets she’s been keeping could blow everything apart. It’s gritty, it’s loud, and the city almost feels like another character—pulsing, relentless, never letting up. Subhash Chandra directs with an eye for the raw and real, pulling you into the emotional mess of family, betrayal, and second chances. Underneath all the flashing lights and pounding beats, it’s really about two sisters trying to outrun their past and maybe, just maybe, find their way back to each other.