Sukhdev Barnala

Sukhdev Barnala’s filmography isn’t exactly your run-of-the-mill lineup—it’s more like a wild ride through the heart and soul of Punjabi cinema. Let’s start with “Nanak” (2022), which, honestly, isn’t just another biopic floating around. This one dives straight into the life and teachings of Guru Nanak, and trust me, it’s not shy about tackling the big questions. Faith, rebellion, spiritual awakening—Barnala doesn’t just skim the surface here. The film’s loaded with raw emotion and a kind of reverence that doesn’t feel forced. You walk away feeling like you’ve been punched in the gut (in a good way) and maybe even rethinking a few things about your own life. Now, “Chamkila” (2024) is a totally different beast. Barnala jumps headfirst into the legend of Amar Singh Chamkila, Punjab’s most controversial—and electrifying—folk singer. It’s loud, brash, and soaked in the kind of 80s energy you can almost smell. There’s music, sure, but also a gritty look at fame, scandal, and the price you pay for not fitting in. Barnala really digs into the chaos of Chamkila’s world, making you feel every high and low along the way. Then there’s “Qismat” (2018), which, I mean, come on—this one just tugs at your heartstrings. It’s about love, obviously, but not the sugarcoated, predictable kind. Instead, it’s messy, bittersweet, and full of those little moments that make you laugh and cry at the same time. Barnala nails the whole ‘life is what happens when you’re busy making other plans’ vibe.