Sumon Anwar

Sumon Anwar’s name has started popping up everywhere lately, and honestly, it’s not hard to see why. With Chokkor 302 and Tagar hitting the scene in 2025, and Debdurgo making waves in 2024, this guy’s basically on a roll. People have been buzzing about how his work just doesn’t fit in the standard box—there’s always a twist, always something a little bit offbeat that keeps you guessing. Let’s be real, when it comes to Chokkor 302, there’s this weird tension that seeps through every frame. It’s not your cookie-cutter thriller; the story zigs when you expect it to zag. The characters? Flawed, messy, and sometimes straight-up unlikeable, but that’s what makes them stick with you. Tagar, on the other hand, leans more into the emotional chaos. You’ve got family drama, secrets bubbling under the surface, and just enough dark humor to keep things from getting too heavy. It’s the kind of film that lingers, making you replay scenes in your head days later. Then there’s Debdurgo. Now, this one’s got a whole different vibe—think suspense with a dash of social commentary. It pokes at the stuff everyone’s thinking but nobody says out loud. Each film in Sumon’s line-up feels like he’s daring you to dig deeper, question what’s actually going on beneath all the surface drama. All in all, Sumon Anwar is crafting stories that don’t just entertain—they mess with your head, in the best way possible.