Tania Garron

Born in the vibrant heart of San Jose, Costa Rica, Tania Garron has become one of those names people whisper about in the film world—half out of curiosity, half in awe. She’s got a knack for wrangling chaos on set, pulling off the kind of seamless production work that makes you wonder if she’s secretly cloned herself. Garron’s wild ride in the industry kicked off long before most folks realized her name, and her fingerprints are all over some pretty bold projects. Take “Queer” (2024), for instance. It’s the sort of film that leaves an impression—raw, unapologetic, and not afraid to dig into the messy bits of human identity. Garron didn’t just keep things running smoothly behind the scenes; she threw herself into the thick of it, championing voices and stories that usually get left out of the spotlight. Then there’s “Pecados de mi padre” (2009), a documentary that digs deep into history and family legacies, unraveling secrets most folks would rather keep buried. With Garron in the mix, the production turned into a deep dive, pulling back layers with a steady hand and sharp eye for detail. And let’s not forget “Rush Call Clown” (2016)—a wild ride with all the chaos and unpredictability you’d expect from a film about clowns on the edge. Whether she’s calling the shots as a producer or wrangling logistics as a production manager, Garron brings a stubborn kind of energy to every project. She’s the type who’d rather break the mold than stick to the script, and honestly, the film world’s better for it.