Tareen Jahan’s filmography’s honestly a mixed bag, but let’s talk about some of her stuff that actually stands out. First up, “Chokkor 302” (2025) – now, this one’s got a bit of a cult following already, even before release. People can’t stop gossiping about the plot twists. It’s got that whole gritty crime vibe, with Tareen pulling off the lead with her usual intense, no-nonsense flavor. There’s this whole cat-and-mouse chase threading through the movie, with her character tangled up in some seriously shady business, and you’re kind of left guessing who’s playing who. The cinematography’s said to be dark and moody – classic noir, but with a fresh, local spin. Then there’s “Shahoshika” (2021). Tareen really went for it here – the role’s bold, a little raw. It’s basically about a woman breaking the mold, taking on stuff the guys in her life thought she couldn’t handle. You get the family drama, the romance, the whole ‘finding yourself’ journey, but it’s not cheesy. She brings this stubborn, almost reckless edge to the character, making you want to root for her even when she messes up. And “Dark Room” (2021), wow. If you’re into psychological thrillers, that one’ll mess with your head. Tareen’s character is basically stuck facing all her worst fears, locked away (literally and emotionally) and you’re never quite sure what’s real or not. The way she flips between vulnerable and totally fierce? Pretty wild. Honestly, she doesn’t just act; she kind of lives inside these roles.
