Tatiana Bouchain

Tatiana Bouchain doesn’t exactly scream “household name,” but her filmography quietly packs a punch. You’ve probably seen her work without realizing it—she’s got credits in some seriously buzzy films. Let’s start with “Titane” (2021), that wild French thriller that threw everyone for a loop at Cannes. If you saw it and thought, “What the hell did I just watch?”—yeah, that’s the one. It’s the movie with body horror, muscle cars, and a plot that’s basically a fever dream. Bouchain’s contribution there? Impeccable, helping to shape the film’s unsettling vibe. But she’s not all about shock value. Jump back to “In the House” (2012), and you’ll catch her in a totally different groove. This one’s a sharp, twisty drama with a wicked sense of humor. It’s about a high school kid who worms his way into a classmate’s family, and everything spirals from there. The screenplay is clever, and the whole thing feels like a sly wink at the audience. You get the sense Bouchain loves stories that mess with your expectations. And then there’s “Midnight in Paris” (2011), which… well, honestly, who hasn’t daydreamed about wandering the Parisian streets at night? It’s that Woody Allen fantasy with Owen Wilson tripping through the Roaring Twenties, rubbing elbows with Hemingway and Fitzgerald. Bouchain’s touch is subtle, but it helps capture the dreamy nostalgia that makes the film tick. So yeah, Tatiana Bouchain’s name might not be in lights, but her fingerprints are all over some of the past decade’s most distinctive films. Not too shabby, honestly.