Tatjana Kozar

Tatjana Kozar’s filmography is a bit of a wild ride, honestly. She’s popped up in some seriously memorable flicks over the last decade or so, each one totally different from the last. In "La Fille Inconnue" (2016), she’s part of this moody Belgian drama where a young doctor refuses to answer her clinic’s door one night, and the next morning discovers the girl who was knocking is now dead. The whole movie spirals into this guilt-ridden quest, with Tatjana tangled up in the heavy, raw emotion that the Dardennes are famous for. It’s quiet, but it’ll hit you right in the gut. Then there’s "Rundskop" ("Bullhead," 2011), which is honestly just intense from start to finish. This one’s got crime, cattle hormone mafia, and a main character so damaged and unpredictable, you can’t look away. Tatjana’s role weaves through all the grit and tension, in a story that’s basically a ticking time bomb of violence and heartbreak. If you like your cinema dark and messed up, this is it. Fast forward to "Joli joli" (2024), and she’s still not playing it safe. This newer project throws her into a fresh, contemporary setting—lots of raw relationships and jagged edges, with characters figuring out love, loss, and all the messy stuff in between. There’s a definite indie vibe, but at the same time, it’s got real depth. Tatjana Kozar keeps picking roles that leave a mark, bouncing between bruised souls and complex women, never phoning it in.