Tim Connors

Tim Connors isn’t the type to stick to one lane—he’s got his fingerprints all over some wild stuff, honestly. You might’ve caught his name in the credits for The Electric State (2025), a trippy, visually bonkers sci-fi adventure that drops you right into a world where humanity and machines are tangled up in this weird, almost poetic mess. The vibe? Haunting, but in a good way. Connors brings this edge—you can tell he’s not afraid to go off the rails, especially with the visuals and mood swings. It’s the kind of movie that sticks with you, makes you question what it even means to be “alive” when everything’s run by wires and old memories. Then there’s Holidays (2016), way different energy. Anthology horror, every segment themed around a calendar holiday, and each one’s got its own twisted flavor. Connors isn’t just phoning it in here—he helps set up these short, sharp shocks that get under your skin. He’s clever about it too; you think you’re watching something familiar, then—bam—he pulls the rug out, and you’re left squirming in your seat. Oh, and don’t sleep on Perfect Mate (1996)—that one’s a time capsule, full-on ‘90s romantic comedy cheese, but with a twist that’s just offbeat enough to make it stand out. Connors has this knack for sliding between genres without losing his touch. Whether he’s dabbling in sci-fi dystopias, horror anthologies, or rom-coms, there’s always this spark—something a little unpredictable, a little left-of-center. That’s Tim for you—never boring, always in the mix.