Tina Carbone

Tina Carbone’s been popping up in some wild projects lately, huh? First up, there’s The Secret Art of Human Flight (2023), and honestly, that one’s got this weirdly magical vibe—like, it toes the line between heartbreak and hope. The whole film centers on a guy who’s totally crushed after his wife dies. Instead of just, you know, sitting in his grief, he stumbles into this oddball self-help group and ends up convinced he can literally fly. And not in the “spiritually soar” way—dude’s actually jumping off things trying to get airborne. Tina’s role in the mix? She isn’t just window dressing; she brings this rawness that kind of grounds the whole thing, making the surreal stuff feel actually possible, if just for a second. Then, jumping ahead, there’s Endzgiving (2025), which is less “let’s fly away from our problems” and more “let’s all sit around a dinner table and let the chaos unfold.” Imagine a family Thanksgiving, except instead of turkey and small talk, it’s secrets, grudges, and a simmering sense of doom. Tina drops in with this biting humor, like she's the only one in the room who knows the joke but won’t spill. It’s sharp, awkward, and weirdly relatable. And then, It’s Not Real (2024) throws you for another loop—this one’s a mind-bender. It blurs the boundaries between what’s true and what’s just in your head, especially as the characters unravel. Tina’s performance is kind of haunting, almost like she’s daring you to question what you’re seeing. Every scene feels a little off-kilter, and you’re never quite sure what’s coming next. If you’re into films that mess with your head, this one’s got your name all over it.