Tom Joseph

Tom Joseph’s filmography is a wild ride, honestly. The guy’s name pops up, and you know something a little offbeat is coming your way. Take “Kadaseela Biriyani” (2021)—oh man, that one’s a trip. It’s not your run-of-the-mill gangster story. The plot’s all about three brothers, each with their own quirks, diving deep into the world of revenge and, well, chaos. It’s messy, funny, and sometimes even a little disturbing, but that’s the charm. You get this blend of dark humor and raw violence that just hits different. The characters aren’t polished heroes—more like regular (slightly unhinged) dudes thrown into the deep end. Then there’s “Daveed” (2025), which, if you’re into speculation, has everyone buzzing already even before it drops. Details are under wraps, but the rumor mill’s churning out tales of gritty drama and unpredictable twists. People expect Tom’s signature touch—mixing humor with a punch of reality, plus characters you love to hate or hate to love. And don’t sleep on “Mei.” It’s a bit of a curveball compared to the others. Less chaos, more nuance. The film digs into mysteries that feel close to home, with a subtlety you don’t always see in his other work. Tom Joseph’s projects aren’t the kind you half-watch while scrolling your phone—they demand attention, keep you guessing, and, honestly, stick in your brain long after the credits roll.