Tommaso Basili

Tommaso Basili—yeah, you’ve probably seen his face even if you can’t quite place the name. The guy’s been popping up everywhere lately. In Ferrari (2023), Basili slips right into the high-octane world of motor racing, brushing shoulders with legends and sinking into all the drama and adrenaline that comes with the territory. No surprise, he nails the intensity—something about the way he glares when the stakes are sky-high, you know he’s not just coasting through a role. Fast-forward to Here After (2024) and he’s off in a totally different direction. Suddenly, we’re talking supernatural twists, that hazy line between here and the great beyond. Basili’s the sort who can handle a bit of existential weirdness—he brings this raw, almost restless energy that makes you buy into the idea that there’s more out there than just what you see. Then, there’s Martin Scorsese Presents: The Saints (2024). Yep, Scorsese himself. Now, if your name’s attached to a project like that, you’d better bring your A-game, and Basili delivers. The show’s got that gritty, under-the-skin feel—saints and sinners tangled up in stories that pull you in and spit you out. Basili doesn’t just blend in with the ensemble; he stands out, adding layers to his character that stick with you long after the credits roll. He’s not just another face in the crowd—he’s one of those actors who makes you want to dig deeper, see what else he’s got up his sleeve next.