Tristin Norwell

Tristin Norwell isn’t just a guy who fiddles around with a violin—he’s the real deal: classically trained, but also a total chameleon in the music world. He’s got his fingerprints all over film and TV soundtracks, writing, producing, and mixing up a storm. You ever catch yourself humming a tune from a movie and wonder who’s behind it? Odds are, Tristin’s name is somewhere in the credits, working behind the scenes as a composer, music editor, or mixer. Back in 2014, he dropped his first solo album, “Mal Influence.” Critics went wild for it, tossing around phrases like “as tough and breakable as glass.” That sound? It hangs out somewhere in the middle of chamber pop and the quieter, weirder side of Aphex Twin. It’s moody, smart, and doesn’t really fit in a box, which makes sense considering Tristin’s whole vibe. But he doesn’t just do his own thing—he’s a team player, too. The guy’s collaborated with a ton of composers and directors, jumping genres and styles like it’s nothing. When he’s not crafting original scores, he’s busy running Bleat Post Production in Hackney, East London. That place? Kind of a big deal. It’s one of the UK’s top spots for theatrical post production, which basically means that if you’re in the biz and you want your film to sound amazing, you go to Tristin’s place. He’s built a reputation for quality, creativity, and, honestly, just getting the job done right.