Unman Bankar

Unman Bankar’s filmography is kind of a wild ride if you’re into Marathi cinema. So, let’s talk about “Chhaava” (2025) first—this one’s got the whole historical drama thing going on, all guns blazing. It dives into the life and legend of Sambhaji Maharaj, who, honestly, is a pretty big deal if you know your Maratha history. The film doesn’t shy away from the action and the drama—expect sword fights, palace intrigue, betrayals, and all that good stuff. Bankar steps up with a performance that’s intense but not over-the-top, which is weirdly rare in these epic period pieces. Now, jump over to “Gondya Ala Re” (2019), and it’s a switch-up. This one’s more about revolutionaries and the fire they brought to the freedom movement. The vibe is gritty, less glamour, more raw nerves. Bankar’s role isn’t just about flexing muscles—it’s about brains and heart. There’s suspense, there’s plotting, there’s that edge-of-your-seat feeling, and at times, it feels almost too real. Honestly, you end up rooting for the underdogs, even if you know how things pan out in history books. And then there’s “Gadbad Gondhal” (2020), which, yeah, takes a 180 with straight-up comedy. It’s chaotic, energetic, and doesn’t pretend to be anything deep. Think misunderstandings, slapstick, and a whole lot of running around. Bankar’s comic timing is actually pretty solid, pulling off that goofy, everyman charm. All three films are totally different beasts, but somehow, Bankar manages to fit into each world without missing a beat.