Urbain Guiguemde

Urbain Guiguemde’s filmography is a weird, wild ride through genres and moods, and honestly, the guy doesn’t seem to care about fitting into any box. If you’ve watched “Late Shift” (2025), you know it’s not your average late-night thriller. The movie barrels through unexpected territory—think neon-soaked cityscapes, insomnia-fueled decision-making, and a main character who’s seriously out of their depth. It’s stressful, gritty, and at times, almost funny in that “oh, man, I can’t believe this is happening” kind of way. Guiguemde has this knack for making chaos feel oddly personal. Jump back a few years and you land on “Dagu” (2019), which is a total switch-up. This one leans hard into the drama, focusing on family ties that are about as tangled as a ball of old headphones. There’s a sense of longing and regret bubbling under everything, with characters trying (and failing) to break free from their past. It’s not light, but it’s honest, and that’s the draw. Then you’ve got “Malalma” (2016). That film feels almost haunted—like you stepped into someone’s dream and can’t find the exit. Super atmospheric, lots of lingering shots, and a vibe that sticks with you long after the credits roll. Urbain doesn’t spoon-feed you answers; he lets the mood do the heavy lifting. All in all, Guiguemde’s movies are messy, emotional, and a little bit unpredictable—just like real life, honestly. If you’re tired of cookie-cutter stories, his stuff’s worth a look.