Vanesa Ferrario

Vanesa’s film journey kicked off at the National University of Córdoba, where she dove into Film and Television studies—honestly, not your average classroom fare. She didn’t just stop there, either. Nope. She took it a step further with a seminar on “Structure and dramatic editing” with Miguel Pérez (SAE-EDA), which, by the way, is kind of a big deal if you know the editing scene in Argentina. Since 2003, Vanesa’s been the one behind the curtain, splicing together stories for commercials, TV series, and feature films. She’s not just clocking in hours, she’s racking up serious street cred. You see her name pop up in workshops and editing conferences set up by the Argentine Society of Editors (SAE)—that’s the crowd that really speaks editing, not just over-glossed film theory. She’s even taken her know-how on the road, running the “Editing series for OTT” course at EICTV, which is basically the place to be for aspiring editors who want to break into streaming. And she’s not just waving from the sidelines. Vanesa is deep in it, an active member of both SAE and EDA, which means she’s plugged into the industry, swapping tricks of the trade, and shaping how the next wave of editors think about cutting film. If you ask around, people will tell you: she’s got the chops, the experience, and a knack for making stories flow—on screen and off.