Viji Venkatesh

Viji Venkatesh has kind of become a staple name in the world of Indian cinema, popping up in projects that are all over the place in terms of tone and flavor. You’ve got Dominic and the Ladies’ Purse (2025) on one end—a film people are already buzzing about even before its release, mostly because Viji brings this sort of unpredictable energy to every role. She just has a way of slipping into characters, making them feel like someone you might run into at a market or maybe on a bus, not some distant figure on a screen. And then, not to forget Paachuvum Albhuthavilakkum (2023), where she really carved out her own space. That movie, a mix of whimsy and reality, had her handling comedy and drama like she’s been juggling them all her life. It’s a testament to how she doesn’t really fit into one box—she can do heartwarming, she can do hilarious, and sometimes she’ll just floor you with a single line. Angikaaram is another notch on her belt, showing off a different side of her talent. Each project she picks feels deliberate, like she’s looking for a challenge instead of just another paycheck. Viji Venkatesh isn’t just another face in the crowd—she’s the sort of actress who makes even the smallest roles stick with you long after the credits roll. The industry’s taking notice, and honestly, it’s about time. She’s not just in these films—she leaves a mark on them.