Vincenzo Condorelli

Vincenzo Condorelli’s career reads like a cinematic passport, seriously. Born and bred in Italy, but you’ll find him bouncing around Asia or wherever the next shoot calls him. The guy’s not just some freelancer with a camera—he’s packing an MA from the London Film School, which already puts him a notch above your average lens jockey. Plus, he’s a proper member of the A.I.C.—that’s the Italian Society of Cinematographers, by the way, not some random acronym. You know he’s got cred, too, since he landed a spot on the Board of Imago, the International Federation of Cinematographers. That happened in 2022, so yeah, he’s currently making moves on the global scene, not just chilling in the background. His filmography? Pretty eclectic. Cobalt Blue (2022) is the one that probably rings a bell if you’re into modern indie cinema—it’s visually lush, kind of hypnotic, and you can tell Condorelli’s fingerprints are all over the look. Angh (2021) is another one that stands out, especially if you’re into stories from the margins, where the cinematography does half the storytelling. And don’t sleep on Venice 70: Future Reloaded (2013). That one’s basically a love letter to cinema itself, with Condorelli’s work adding texture and depth that most people only wish they could pull off. Honestly, the guy’s got a knack for making visuals stick in your brain. He’s got that rare combo of technical chops and a real eye for emotional storytelling. Not just another cinematographer, but someone who actually elevates whatever project he touches.