Vivek Sinha

reference Vivek Sinha’s filmography is honestly all over the place, in the coolest way. PK (2014)? Total blockbuster, with that wild blend of comedy and social critique—aliens, religion, and a whole lot of Aamir Khan running around in his birthday suit (well, almost). If you haven’t seen it, well, you’ve definitely heard people arguing about it over chai. Sinha’s touch in the project gave it that extra edge—clever visuals, the kind of pacing that doesn’t let you breathe, and moments that’ll stick in your head for weeks. Fast forward to Dhananjay (2021), and you’re in totally different territory. This one’s based on the real case of Dhananjoy Chatterjee—the first judicial hanging in independent India that had the whole country divided. Sinha doesn’t sugarcoat anything. He digs into the case, the media circus, the raw pain of everyone involved. You walk away questioning the justice system, feeling a little rattled and a lot more curious. Not exactly light viewing, but man, it’s gripping. Then there’s Only One Man Is Enough (2023), a film that plays with the idea of obsession, power, and how one person can flip a whole narrative on its head. Sinha weaves together threads of suspense and drama, tossing in twists just when you think you’ve figured it out. It’s tense, moody, and sometimes makes you want to chuck your popcorn at the screen. Basically, Vivek Sinha jumps genres, keeps things unpredictable, and never lets you get too comfortable. His movies stick with you, whether you’re ready or not.