Volodymyr Artemenko

Volodymyr Artemenko is the kind of name you hear once and don’t forget, mostly because the guy’s filmography reads like a to-do list for anyone craving some cinematic adrenaline. First up, there’s “A Working Man” (2025). People are already buzzing about it, and not just because of the title. Word is, it’s a gritty, no-nonsense drama that follows a blue-collar guy who gets sucked into something way bigger than his day job. He’s not saving the world or anything, but he’s definitely fighting for his own little slice of it. The film doesn’t pull punches—think sweat, late nights, and a whole lot of moral gray area. Artemenko’s got this knack for making you root for the underdog, even when they’re not squeaky clean. Then there’s “Shiver.” Oh man, if you like your thrillers with a side of goosebumps, this one’s right up your alley. The movie’s all about tension—creeping dread, shadows moving where they shouldn’t, and people keeping secrets you’d rather not know. Artemenko doesn’t go for cheap jump scares, either. He lets the suspense crawl under your skin and stay there. If you’re into the kind of movie that leaves you checking your locks before bed, “Shiver” is it. Now, toss in the untitled Jason Statham thriller. Details are hush-hush, but with Artemenko involved, you know it’s not just another punch-and-explode flick. Expect some brains with your brawn, and maybe a twist or two you didn’t see coming. Artemenko’s got a wild streak in his directing. He’s not afraid to mess with genre conventions, and honestly, that’s what keeps people coming back for more.