Waël Sersoub

Waël Sersoub. Born smack in the heart of Lyon, 1990. Not exactly a household name—yet—but the guy’s racked up some solid credits. He’s the kind of actor you spot and think, “Wait, I’ve seen him somewhere.” Yeah, that’s him. He’s got this vibe, a little intensity, a little mystery, and he doesn’t just fade into the background. His work in “Hunting with Tigers” (2024) really turned some heads. It’s not your cookie-cutter action flick; there’s grit, there’s teeth. Sersoub brings this raw energy, like he’s carrying something heavy just out of frame. You kinda believe he’s lived through every scene. Before that? He popped up in “Happy End” (2017), which, honestly, was loaded with heavyweights and he still managed to carve out his own space. Not an easy feat. Then there’s “Kanun, la loi du sang” (2022). Sersoub slipped into that world like he belonged there, moving through the story like a shadow. He’s got this way of saying a lot without running his mouth—just little glances or a shrug, and bam, you know exactly where his character stands. That’s rare. So, is he the next big thing? Who knows. But one thing’s clear: Waël Sersoub’s not just phoning it in. He’s making choices, taking risks, and you can tell he actually cares about the craft. Keep an eye on him. Feels like he’s just warming up.