Will Anderson

Will Anderson, honestly, the dude’s got a thing for movies that get under your skin. Look at his filmography—Choose or Die (2022), Boiling Point (2021), Yesterday (2019)—we’re not talking about background noise flicks here. Choose or Die, for example, it’s this wild horror-thriller where a cursed video game messes with reality. You dive in expecting a standard scare and suddenly you’re questioning your own choices, and probably regretting the last time you picked up a retro console. Anderson’s got a knack for taking the everyday and flipping it on its head. Then, Boiling Point. Man, that movie is basically a stress test in cinematic form. One shot, real-time chaos in a restaurant kitchen, the kind of place where you can practically feel the sweat and adrenaline through the screen. Anderson’s work here feels raw, like you’re actually clocking in for a shift you never signed up for. There’s no room to breathe, and somehow, that’s the point. And then you’ve got Yesterday, which is more of a whimsical “what if” scenario—what if only one guy remembers The Beatles? Anderson brings this low-key, relatable energy that keeps things from getting too wacky. It’s heartfelt, a bit kooky, but never loses its charm. Across the board, Anderson’s films aren’t just stories; they’re experiences. He’s not afraid to play with genre, mess with your expectations, and leave you thinking about it all long after the credits roll.