Personal details
- Birth Date: 1968-08-10
- Birth Location: Neuilly-sur-Seine, Hauts-de-Seine, France
- Professions: Cinematographer, Camera and Electrical Department, Producer
Yorick Le Saux, born August 10, 1968, in Neuilly-sur-Seine, France, is not your run-of-the-mill cinematographer. The guy’s basically a wizard with a camera, crafting worlds that don’t just look good—they make you feel like you’re in on some secret. He’s got a knack for mood, honestly. His work on “High Life” (2018) is wild and weird in the best way, managing to make outer space both gorgeous and claustrophobic. It’s like he finds the poetry in the coldness, y’know? Then there’s “Only Lovers Left Alive” (2013). That movie oozes cool, but it’s Yorick’s visuals that really give it a pulse. Gritty night streets, faded glamour, light that feels like it could melt—he gets under the skin of the story without ever showing off. And don’t forget “Personal Shopper” (2016). He somehow makes haunted Paris seem both dreamy and totally unnerving at the same time. That’s not easy to pull off, but Le Saux seems to thrive on tricky stuff. He’s worked with directors who love pushing boundaries, and he totally matches that energy. Every frame feels calculated but never stiff—there’s always a sense of movement, like the shot’s about to breathe. Whether he’s behind the lens or stepping in as a producer, Yorick Le Saux brings a vibe all his own. He’s one of those people who can make even the most ordinary scene look like it’s hiding secrets, and, honestly, that’s what keeps people hooked.
La Fémis is pretty much the holy grail for film nerds in France, right? This person didn’t just wander in—they’re part of the 6th graduating class, and that’s not nothing. Cinematography department, too, which means they probably spent years obsessing over lighting, camera angles, and all those little details that can make or break a movie. You can bet they had their hands on some vintage cameras, late-night editing sessions fueled by way too much coffee, and probably got into heated debates about whether digital will ever replace film (spoiler: it’s complicated). Alumni from La Fémis tend to pop up everywhere, so if you spot a film with killer visuals and some real French flair, don’t be shocked if their name rolls through the credits. Not every day you see someone with that kind of pedigree behind the lens—it’s like being knighted in the world of cinema.
August 10, 1968
Konidela Ram Charan
Neuilly-sur-Seine, Hauts-de-Seine, France
56 years old