Yuwen Li

Yuwen Li’s filmography isn’t just a random collection of titles—it’s a wild little trip through the bizarre and the beautiful. Take “Man chang de gao bai” from 2021, for starters. This one isn’t your cookie-cutter romance or whatever. It’s got this slow-burn vibe, tangled up in melancholy and confession, like someone sat alone with their regrets and decided to turn the whole mess into art. Don’t expect easy answers or neat little bows on the ending; the film drifts, lingers, and sometimes refuses to let you look away, even when you want to. Then there’s “A New Old Play,” also from 2021. This isn’t just a movie—it’s a whole fever dream about memory and fading glory. Li’s got this knack for mixing old-school theatrical style with more modern storytelling, so you end up with something totally unique. The story lurches between past and present, life and afterlife, and you’re left questioning what’s real and what’s just someone’s cracked-up nostalgia. There’s humor in the sadness and beauty in the decay, which, honestly, is kind of Li’s signature move. Don’t sleep on “Fuxi: Joy in Four Chapters” either. This one goes all in on the poetic, breaking the story into four distinct slices, each dripping with symbolism and layered meanings. It’s not a popcorn flick; it demands your patience, maybe even your confusion, and rewards you with moments that hit weirdly hard. Altogether, Li’s work isn’t just film—it’s an experience, equal parts haunting and oddly hopeful, sticking with you long after the credits roll.