Zach Ireland

Zach Ireland’s filmography for 2024? Man, talk about a wild ride through genres and vibes. You’ve got “Outside of Time 1950,” which basically yanks you straight out of your living room and dumps you smack in the middle of a reality that barely even remembers what year it is. There’s this weird, dreamy mix of old-school nostalgia and that unsettling feeling that nothing’s quite right. People wander around, stuck between memories and moments that maybe never even happened. It’s not your average time-travel flick—it’s more like someone took a Polaroid of your grandpa’s wildest dreams and then set it on fire. Then there’s “Weekend in Taipei.” If you’re expecting a chill vacation movie, forget it. This thing is a whirlwind—fast cuts, neon lights, and characters who seem to be running from themselves as much as the city. There’s laughter, awkward hookups, and a sense that everyone’s just teetering on the edge of something big, or maybe falling apart. It feels both impossibly cool and a little bit sad, like a party you know can’t last forever but you don’t want to leave. And let’s not skip “Dead Talents Society.” Cynical, sharp, and just a bit unhinged, it’s a brutal roast of the creative world. Wannabe artists clawing for relevance, desperate for validation, and ready to betray their own dreams for a shot at the spotlight. It’s fast, it’s witty, and—honestly—it hits a little too close to home. All three projects show Zach’s knack for diving into messy, real, and totally captivating slices of life.