Zainab Azizi

Zainab Azizi’s filmography is honestly a wild ride if you’re into the whole world-ending, reality-bending, heart-thumping kind of cinema. Let’s start with 65 (2023)—that one drops you right into a prehistoric nightmare. Adam Driver’s just trying to survive, dodging dinosaurs like it’s a Tuesday. Azizi produced this sci-fi thriller where the stakes are so high you’re practically chewing your nails off. Dinosaurs, futuristic tech, and a crash-landed astronaut? Yeah, sign me up. The tension doesn’t really let up, and you can tell Azizi’s got a thing for action that keeps you guessing. Now, Boy Kills World (2023) is a completely different beast, and honestly, it’s bonkers in the best way. Picture a dystopian wasteland, martial arts chaos, and a protagonist who can’t speak but sure can fight. The visuals are trippy, with wild colors and offbeat humor. Azizi jumps genres and just goes for it, blending action, dark comedy, and revenge—like, all at once. It’s the sort of movie that leaves you wondering if you’re supposed to laugh or just be impressed by the sheer audacity. Either way, you’re entertained. Don’t Move (2024) is all about the horror. Azizi knows how to crank up the anxiety, dropping you in a world where standing still isn’t just smart—it’s absolutely necessary. The suspense is relentless, and the story keeps tightening the screws until you’re basically holding your breath. With a knack for picking projects that mess with your head, Azizi’s definitely not playing it safe. Her resume’s a testament to gutsy choices and a taste for the unexpected.